Already one of the most beautiful and contemplative corners of Como, the Charlotte Partridge Ordway Japanese Garden has been transformed by recent renovations that have made it a “rising star” among North America’s public Japanese gardens. The garden was the focal point for Como Friends’ 2020 all-virtual Sunset Affair, which marked the garden’s 40th anniversary—a milestone that’s even more meaningful if you know the garden’s long and winding history.

“All gardens wax and wane, depending on the times, the environmental conditions, the type of care and even the economy,” says former Como Horticultural Curator Tina Dombrowski. “But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” Here’s a look at how deep-rooted community connections and thoughtful cultural exchange have helped the Charlotte Partridge Ordway Japanese Garden grow.

Meet Me at the Fair: In 1904, Dr. Rudolph Schiffman, one of the original members of the St. Paul Park Board, traveled to St. Louis for the Louisiana Purchase Exposition, and was so captivated by the Japanese exhibit that he persuaded Como Park supervisor Frederick Nussbaumer to create a Japanese-style garden on St. Paul’s Cozy Lake in Como Park the following year. Created with plant material that Schiffman purchased from Yukio Ishikawa at the fair, Como’s very first Japanese garden never took to the Minnesota climate and was closed within a few years. But the tea lanterns he brought back from the World’s Fair have endured, and guide the way for visitors in Como’s present-day garden.

“But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” –Tina Dombrowski, former Head Horticultural Curator

Lost in Translation: St. Paul and its sister city of Nagasaki, Japan have a relationship that goes back to the early 50s—even before President Eisenhower launched the sister city programs to promote international friendship and cultural exchange. In 1977, the Nagasaki delegation gifted St. Paul with a watercolor plan for a chisen-kaiyu (strolling pond) garden to be built at Como. But the aesthetic nuances of the Edo-period garden were quickly lost in translation when parks crews moved ahead with the work prior to the arrival of designer Masami Matsuda, a ninth generation landscape architect. Soon, Minnesota’s harsh winters cracked the lining of the reflective pool, visitors straying from the paths damaged the plants, and a recession forced the city to close the garden.

Happy Faces: Volunteers have always played an important role in the Japanese Garden, never more so than when a group of community gardeners and Como docents reached out to Matsuda-san and the Japanese delegation asking for their help in fixing the mistakes made during the garden’s initial construction, and learning more about the precise care and maintenance Japanese gardens require. Private fundraising helped to bring Matsuda-san back to St. Paul in the late 80s for a series of renovations, including a massive effort to reorient many of the river boulders around the pond to reveal what Matsuda described as each stone’s “happy face.” “Finding and placing each stone was a small drama,” retired Como horticulturist Joan Murphy remembers, noting that Matsuda and his assistant spent hours staring at each boulder and waiting for each to “speak” while work crews with shovels and cranes stood at attention. Their patience paid off with a more harmonious garden design, and a healthy rapport between the St. Paul and Nagasaki delegation, which came to celebrate the construction of the tea house and the garden’s reopening in 1992.

Where Everyone Is Equal: Designed to mimic a rustic and simple 16th century Japanese farm house, Como’s sukiya-style tea house embodies a Japanese aesthetic known as wabi sabi—a belief that transience, time, impermanence and imperfection add beauty to an object. Though the front doors of the tea house were enlarged from the original design of 5 foot 2 inches to 6 foot 7 to meet local codes, guests actually enter through a small square crawl-through door known as the nijiri-guchi. Bowing before entering is not just a physical requirement—it also signifies that all the guests of the tea house are equal.

Looking Back, Looking Forward: With the construction of The Ordway Gardens in 2013, attention turned to renovating the Japanese Garden for the next generation. Como Friends provided the funding to invite international Japanese garden expert John Powell to begin reimagining the garden with an eye toward the new vantage points created by the Huss Terrace, as well as the original design goals of Masami Matsuda. Over the last several years, Como’s horticultural staff have worked closely with Powell to prune overgrown trees, bring in new plant material, and create a more harmonious pathway through the garden. The latest improvement, a pine grove path that leads visitors out of the tea garden, has brought these renovations full circle. No longer will visitors have to double back on the garden’s pathways, a renovation that helps heighten the sense of solitude, spacial intimacy and contemplation the garden is designed to inspire.

What’s New: With support from Como Friends, the Marjorie McNeely Conservatory has added another new feature to the Japanese garden experience at Como. The Huelsmann Meditative Garden is a traditional karesansui garden of raked sand and rock that highlights the concept of yohaku-no-bi, or the beauty of blank space.

Story originally published July 2, 2020

Already one of the most beautiful and contemplative corners of Como, the Charlotte Partridge Ordway Japanese Garden has been transformed by recent renovations that have made it a “rising star” among North America’s public Japanese gardens. The garden was the focal point for Como Friends’ 2020 all-virtual Sunset Affair, which marked the garden’s 40th anniversary—a milestone that’s even more meaningful if you know the garden’s long and winding history.

“All gardens wax and wane, depending on the times, the environmental conditions, the type of care and even the economy,” says former Como Horticultural Curator Tina Dombrowski. “But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” Here’s a look at how deep-rooted community connections and thoughtful cultural exchange have helped the Charlotte Partridge Ordway Japanese Garden grow.

Meet Me at the Fair: In 1904, Dr. Rudolph Schiffman, one of the original members of the St. Paul Park Board, traveled to St. Louis for the Louisiana Purchase Exposition, and was so captivated by the Japanese exhibit that he persuaded Como Park supervisor Frederick Nussbaumer to create a Japanese-style garden on St. Paul’s Cozy Lake in Como Park the following year. Created with plant material that Schiffman purchased from Yukio Ishikawa at the fair, Como’s very first Japanese garden never took to the Minnesota climate and was closed within a few years. But the tea lanterns he brought back from the World’s Fair have endured, and guide the way for visitors in Como’s present-day garden.

“But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” –Tina Dombrowski, former Head Horticultural Curator

Lost in Translation: St. Paul and its sister city of Nagasaki, Japan have a relationship that goes back to the early 50s—even before President Eisenhower launched the sister city programs to promote international friendship and cultural exchange. In 1977, the Nagasaki delegation gifted St. Paul with a watercolor plan for a chisen-kaiyu (strolling pond) garden to be built at Como. But the aesthetic nuances of the Edo-period garden were quickly lost in translation when parks crews moved ahead with the work prior to the arrival of designer Masami Matsuda, a ninth generation landscape architect. Soon, Minnesota’s harsh winters cracked the lining of the reflective pool, visitors straying from the paths damaged the plants, and a recession forced the city to close the garden.

Happy Faces: Volunteers have always played an important role in the Japanese Garden, never more so than when a group of community gardeners and Como docents reached out to Matsuda-san and the Japanese delegation asking for their help in fixing the mistakes made during the garden’s initial construction, and learning more about the precise care and maintenance Japanese gardens require. Private fundraising helped to bring Matsuda-san back to St. Paul in the late 80s for a series of renovations, including a massive effort to reorient many of the river boulders around the pond to reveal what Matsuda described as each stone’s “happy face.” “Finding and placing each stone was a small drama,” retired Como horticulturist Joan Murphy remembers, noting that Matsuda and his assistant spent hours staring at each boulder and waiting for each to “speak” while work crews with shovels and cranes stood at attention. Their patience paid off with a more harmonious garden design, and a healthy rapport between the St. Paul and Nagasaki delegation, which came to celebrate the construction of the tea house and the garden’s reopening in 1992.

Where Everyone Is Equal: Designed to mimic a rustic and simple 16th century Japanese farm house, Como’s sukiya-style tea house embodies a Japanese aesthetic known as wabi sabi—a belief that transience, time, impermanence and imperfection add beauty to an object. Though the front doors of the tea house were enlarged from the original design of 5 foot 2 inches to 6 foot 7 to meet local codes, guests actually enter through a small square crawl-through door known as the nijiri-guchi. Bowing before entering is not just a physical requirement—it also signifies that all the guests of the tea house are equal.

Looking Back, Looking Forward: With the construction of The Ordway Gardens in 2013, attention turned to renovating the Japanese Garden for the next generation. Como Friends provided the funding to invite international Japanese garden expert John Powell to begin reimagining the garden with an eye toward the new vantage points created by the Huss Terrace, as well as the original design goals of Masami Matsuda. Over the last several years, Como’s horticultural staff have worked closely with Powell to prune overgrown trees, bring in new plant material, and create a more harmonious pathway through the garden. The latest improvement, a pine grove path that leads visitors out of the tea garden, has brought these renovations full circle. No longer will visitors have to double back on the garden’s pathways, a renovation that helps heighten the sense of solitude, spacial intimacy and contemplation the garden is designed to inspire.

What’s New: With support from Como Friends, the Marjorie McNeely Conservatory has added another new feature to the Japanese garden experience at Como. The Huelsmann Meditative Garden is a traditional karesansui garden of raked sand and rock that highlights the concept of yohaku-no-bi, or the beauty of blank space.

Story originally published July 2, 2020

Already one of the most beautiful and contemplative corners of Como, the Charlotte Partridge Ordway Japanese Garden has been transformed by recent renovations that have made it a “rising star” among North America’s public Japanese gardens. The garden was the focal point for Como Friends’ 2020 all-virtual Sunset Affair, which marked the garden’s 40th anniversary—a milestone that’s even more meaningful if you know the garden’s long and winding history.

“All gardens wax and wane, depending on the times, the environmental conditions, the type of care and even the economy,” says former Como Horticultural Curator Tina Dombrowski. “But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” Here’s a look at how deep-rooted community connections and thoughtful cultural exchange have helped the Charlotte Partridge Ordway Japanese Garden grow.

Meet Me at the Fair: In 1904, Dr. Rudolph Schiffman, one of the original members of the St. Paul Park Board, traveled to St. Louis for the Louisiana Purchase Exposition, and was so captivated by the Japanese exhibit that he persuaded Como Park supervisor Frederick Nussbaumer to create a Japanese-style garden on St. Paul’s Cozy Lake in Como Park the following year. Created with plant material that Schiffman purchased from Yukio Ishikawa at the fair, Como’s very first Japanese garden never took to the Minnesota climate and was closed within a few years. But the tea lanterns he brought back from the World’s Fair have endured, and guide the way for visitors in Como’s present-day garden.

“But if they’re cherished and loved by the right group of people, a garden can become the heartbeat of a community. When a garden like this inspires the support of gardeners, caretakers and the local community, it can recover even stronger.” –Tina Dombrowski, former Head Horticultural Curator

Lost in Translation: St. Paul and its sister city of Nagasaki, Japan have a relationship that goes back to the early 50s—even before President Eisenhower launched the sister city programs to promote international friendship and cultural exchange. In 1977, the Nagasaki delegation gifted St. Paul with a watercolor plan for a chisen-kaiyu (strolling pond) garden to be built at Como. But the aesthetic nuances of the Edo-period garden were quickly lost in translation when parks crews moved ahead with the work prior to the arrival of designer Masami Matsuda, a ninth generation landscape architect. Soon, Minnesota’s harsh winters cracked the lining of the reflective pool, visitors straying from the paths damaged the plants, and a recession forced the city to close the garden.

Happy Faces: Volunteers have always played an important role in the Japanese Garden, never more so than when a group of community gardeners and Como docents reached out to Matsuda-san and the Japanese delegation asking for their help in fixing the mistakes made during the garden’s initial construction, and learning more about the precise care and maintenance Japanese gardens require. Private fundraising helped to bring Matsuda-san back to St. Paul in the late 80s for a series of renovations, including a massive effort to reorient many of the river boulders around the pond to reveal what Matsuda described as each stone’s “happy face.” “Finding and placing each stone was a small drama,” retired Como horticulturist Joan Murphy remembers, noting that Matsuda and his assistant spent hours staring at each boulder and waiting for each to “speak” while work crews with shovels and cranes stood at attention. Their patience paid off with a more harmonious garden design, and a healthy rapport between the St. Paul and Nagasaki delegation, which came to celebrate the construction of the tea house and the garden’s reopening in 1992.

Where Everyone Is Equal: Designed to mimic a rustic and simple 16th century Japanese farm house, Como’s sukiya-style tea house embodies a Japanese aesthetic known as wabi sabi—a belief that transience, time, impermanence and imperfection add beauty to an object. Though the front doors of the tea house were enlarged from the original design of 5 foot 2 inches to 6 foot 7 to meet local codes, guests actually enter through a small square crawl-through door known as the nijiri-guchi. Bowing before entering is not just a physical requirement—it also signifies that all the guests of the tea house are equal.

Looking Back, Looking Forward: With the construction of The Ordway Gardens in 2013, attention turned to renovating the Japanese Garden for the next generation. Como Friends provided the funding to invite international Japanese garden expert John Powell to begin reimagining the garden with an eye toward the new vantage points created by the Huss Terrace, as well as the original design goals of Masami Matsuda. Over the last several years, Como’s horticultural staff have worked closely with Powell to prune overgrown trees, bring in new plant material, and create a more harmonious pathway through the garden. The latest improvement, a pine grove path that leads visitors out of the tea garden, has brought these renovations full circle. No longer will visitors have to double back on the garden’s pathways, a renovation that helps heighten the sense of solitude, spacial intimacy and contemplation the garden is designed to inspire.

What’s New: With support from Como Friends, the Marjorie McNeely Conservatory has added another new feature to the Japanese garden experience at Como. The Huelsmann Meditative Garden is a traditional karesansui garden of raked sand and rock that highlights the concept of yohaku-no-bi, or the beauty of blank space.

Story originally published July 2, 2020

While the historic Como Zoo and the Marjorie McNeely Conservatory are two of St. Paul’s most beloved cultural treasures, only 16 percent of Como’s average 1.7 million annual visitors come from the Capital City. “An even larger number of visitors, more than 400,000 every year, are actually from greater Minnesota, and 15 percent come from outside the state,” says Michelle Furrer, Como’s Campus Director. “The sheer number of visitors to Como makes clear that we’re an important part of the tourism economy.” In fact, a 2015 study from Sapphire Consulting found that Como annually generates more than $162.7 million in economic impact for our region, along with nearly 2,100 jobs.

Just as important to Minnesota lawmakers, says Furrer, was the strong public/private partnership between Como Friends and Como Park Zoo and Conservatory. “Seeking state funding is a competitive process because there are so many needs across the state,” she says. “Having a strong track record of success working with Como Friends to build improvements like Polar Bear Odyssey and The Ordway Gardens definitely strengthened our case. It showed legislators that we had the community support behind us to leverage additional dollars to achieve our goals with Como Harbor.”

“We’re so proud of what our supporters have made possible in Como Harbor,” says Jackie Sticha. “Generous philanthropic gifts and public funding mean that transformational improvements are possible at Como without compromising our commitment to free admission and barrier-free access for everyone.”

“It is our first visit here, and it is an amazing opportunity. We asked how much it was and they said it’s free. And I said, ‘Are you sure?” –Lionnel Djon, Thunder Bay, Ontario

THANKS TO YOUR SUPPORT COMO, IS FREE AND FABULOUS, 365 DAYS A YEAR

Admission is free. Parking is free. Children are free. Adults are free. Como Zoo is free. The Marjorie McNeely Conservatory is free. At Como, free means free.

Como was founded by visionaries and volunteers who foresaw the need for creating a public green space at the heart center of the Twin Cities. More than a century later, that vision has made Como Park Zoo & Conservatory the most visited cultural destination in the state of Minnesota, often welcoming nearly two million children and adults each year. With its historic architecture, significant horticultural collections and state-of-the-art habitats, visiting Como has been a shared memory for more than five generations of Minnesotans.

 But what’s truly unique when compared to other zoos and botanical gardens across the country is Como’s open door policy–free admission that’s made possible, in part, by your contributions to Como Friends. “Over the past 20 years, our successful public/private partnership has helped  protect the free admission this community cares about, and to introduce a whole new generation to the wonders of nature without any barriers to access,” says Jackie Sticha, President of Como Friends, the nonprofit fundraising partner of Como Park Zoo and Conservatory.  

We recently asked a few of Como’s two million annual visitors to talk about why kids need time in nature and what free admission means to them.

“My family and grandkids had the opportunity to spend the day at Como Park Zoo & Conservatory. It was the best day ever!

How wonderful that we could see and do so many things for FREE! We did make a donation. It made me realize how many wouldn’t be there if there was a big entrance and parking fee like so many other places. Everyone has a chance to go. That is so great!!

Thank you so much for giving families this memorable experience.” – Como Visitor

Designed by Marjorie McNeely Conservatory’s horticulturist Ariel Dressler, this summer’s Sunken Garden Show is all about summer sunsets

Summer sunsets are the inspiration for this year’s Summer Flower Show, featuring a warm palette of glowing tropical and seasonal annuals. From fiery reds like the Hibiscus ‘Imperial Dragon’, red salvia and dark red verbena, to citrus-y orange begonias, tangerine impatiens, striped tiki torch petunias, and canna, the Marjorie McNeely Conservatory’s longest-running flower show captures the gloaming warmth of the season’s long days.